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Samuel Ricke

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
View all 35 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.		9	0	0	4	28%
		9	0	0	4	28%
		20	0	6	4	82%
		25	0	9	4	100%
Fagotto.		20	0	6	4	82%
		25	0	9	4	100%
Violoncello.		20	0	6	4	82%
		25	0	9	4	100%
Violino I.		28	0	10	5	100%
		28	0	10	5	81%
Flauto traverso II.		28	0	10	7	100%
		26	0	10	6	80%
Oboe II.		24	0	9	6	100%
		23	0	8	6	80%
Viola.		21	0	5	6	80%
		23	0	7	5	100%
Violino II.		27	0	9	6	100%
		25	0	8	6	80%
Organo		23	67	8	5	100%
Violone.		25	0	9	4	100%
Oboe I.		22	0	8	5	99%
		23	0	9	6	81%
Flauto traverso I.		24	0	9	7	99%
		22	0	9	6	79%
Organo.		23	63	8	5	82%
Violone		20	0	6	4	82%
Alto.		15	0	6	5	43%
		18	0	6	6	69%
Tenore.		19	0	6	6	69%
		16	0	4	4	43%
Soprano.		16	0	5	6	68%
		15	0	4	5	46%
Basso.		23	0	8	6	66%
		16	0	4	5	43%
Soprano ripieno.		9	0	0	5	28%

Mozart: Great Mass "Große Messe" in C Minor, K. 427: I. Kyrie

Samuel Ricke

6:48	Est. Play Time
94	Measures
	2,544Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		46	144	19	7	98%
Viola.		25	5	10	8	98%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo		46	144	19	7	98%
Viola.		25	5	10	8	98%
Violino I.		30	4	12	7	98%
Violino II.		27	4	10	8	98%
Violoncello, Basso ed Organo.		36	0	14	7	89%
Fagotti.		24	9	9	8	73%
Soprano.		18	0	6	6	66%
Oboi.		24	6	9	7	61%
Alto.		17	0	6	8	59%
Tenore.		18	0	6	8	52%
Basso.		19	0	7	8	50%
Trombone I.		14	0	4	7	41%
Soprano Solo.		22	0	7	12	40%
Trombone II.		18	0	6	6	36%
Corni in C.		6	5	1	6	30%
Trombone III.		17	0	5	6	24%
Trombe in C.		5	4	0	6	19%
Timpani in C.G.		2	0	0	6	14%

Mozart: Symphony No. 39 in E♭ Major, K. 543: II. "Andante con moto"

Samuel Ricke

18:36	Est. Play Time
161	Measures
	2,004Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		24	0	9	7	95%
Violino II.		24	12	10	9	93%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		24	0	9	7	95%
Violino II.		24	12	10	9	93%
Viola.		24	8	8	8	92%
Violino I.		32	2	17	11	89%
Basso.		24	0	9	6	76%
Fagotti.		23	34	9	8	59%
Clarinetti in B.		26	45	8	8	58%
Corni in Es.		11	8	1	5	50%
Flauto.		22	0	9	7	41%

J.S. Bach: Matthäus-Passion, BWV 244: II. Recitative - Da Jesus diese Rede vollendet hatte (Share)

Samuel Ricke

1:08	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		12	11	3	5	90%
		6	0	2	3	88%
Continuo.		6	0	2	3	88%
Violone.		6	0	2	3	88%
Jesus.		14	0	4	3	75%
Viola.		6	0	1	3	75%
Violino I.		7	0	2	3	75%
Violino II.		7	0	1	4	75%
Evangelist.		8	0	0	2	38%

J.S. Bach: Matthäus-Passion, BWV 244: III. Chorale - Herzliebster Jesu

Samuel Ricke

1:00	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		15	0	3	6	100%
		16	0	4	6	100%
Alto.		10	0	1	5	100%
Basso.		15	0	4	4	100%
Fagotti.		15	0	4	4	100%
Flauti traversi.		11	0	2	4	100%
Oboi.		11	0	2	4	100%
Organo e Continuo.		15	0	4	4	100%
Soprano.		11	0	2	4	100%
Tenore.		10	0	2	5	100%
Viola		10	0	2	6	100%
Violino I.		11	0	2	4	100%
Violino II.		10	0	1	5	100%
Violone.		15	0	4	4	100%

Mozart: Symphony No. 40 in G Minor, K. 550: II. "Andante"

Samuel Ricke

12:38	Est. Play Time
125	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		26	0	10	6	98%
Violino II.		29	4	11	8	97%
Violino I.		34	1	15	8	96%
Contrabasso.		25	0	10	5	90%
Violoncello.		26	0	10	5	90%
Fagotti.		25	25	9	7	57%
Clarinetti in B.		26	29	9	7	53%
Oboi.		23	26	10	5	35%
		23	34	11	7	52%
Corni in Es.		11	10	2	5	48%
Flauto.		19	0	9	7	47%

Requiem in D Minor, K. 626, I. Introitus: Requiem Aeternam By W. A. Mozart

Samuel Ricke

6:01	Est. Play Time
48	Measures
	3,527Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		25	0	8	7	100%
Violino II.		32	5	13	7	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.		25	0	8	7	100%
Violino II.		32	5	13	7	100%
Violoncello, Basso ed Organo.		37	0	15	8	100%
Violino I.		31	3	12	7	98%
Fagotti.		23	4	8	10	89%
Pipe Organ		31	76	12	8	82%
Corni di Bassetto in F.		21	0	8	7	78%
Soprano.		16	0	4	6	75%
Trombone I.		14	0	5	6	73%
Trombone III.		17	0	5	8	73%
Basso.		17	0	5	8	71%
Trombone II.		17	0	5	6	71%
Alto.		14	0	5	6	69%
Tenore.		17	0	5	6	69%
Trombe in D.		4	3	0	7	20%
Timpani in D. A.		2	0	0	7	19%

J.S. Bach Organ: Toccata and Fugue in D Minor "The Dorian", BWV 538

Samuel Ricke

15:12	Est. Play Time
321	Measures
	2,312Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		26	2	9	8	94%
		23	2	6	8	61%
		39	1	13	8	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		26	2	9	8	94%
		23	2	6	8	61%
		39	1	13	8	93%

J.S. Bach: Matthäus-Passion, BWV 244: V. Recitativo: Du lieber Heiland du - Aria: Buß und Reu

Samuel Ricke

9:32	Est. Play Time
116	Measures
	1,385Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	72	13	6	100%
		22	0	6	5	91%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		22	72	13	6	100%
		22	0	6	5	91%
Bassoon		22	0	9	5	100%
Organo e Continuo.		22	0	9	5	100%
Violone		22	0	9	5	100%
Flauto traverso I.		21	0	12	5	86%
Flauto traverso II.		22	0	11	5	86%
Alto.		19	0	11	7	67%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		20	1	7	4	100%
		22	0	7	5	100%
Continuo.		10	0	2	2	100%
Violone.		10	0	2	2	100%
Flauto traverso I.		20	0	7	1	92%
Flauto traverso II.		20	0	7	1	92%
Viola.		19	0	7	2	92%
Violino I.		20	0	7	2	92%
Violino II.		16	0	5	2	92%
Soprano II.		17	0	6	5	81%
Alto.		18	0	6	6	77%
Basso.		15	0	4	4	70%
Tenore.		14	0	5	5	68%

Toccata and Fugue in D Minor, BWV 565, By Johann Sebastian Bach

Samuel Ricke

1:20:18	Est. Play Time
143	Measures
	3,228Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		32	31	11	11	91%
		37	8	13	11	89%
		21	1	8	8	45%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		32	31	11	11	91%
		37	8	13	11	89%
		21	1	8	8	45%

Requiem in D Minor, K. 626, VII. Communio: Lux Aeterna By W. A. Mozart

Samuel Ricke

5:53	Est. Play Time
82	Measures
	3,467Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		25	0	9	9	100%
Organo		28	140	10	10	89%
View all 18 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		25	0	9	9	100%
Organo		28	140	10	10	89%
		25	2	8	9	95%
Violino II		32	0	13	10	95%
Contrabasso		21	1	6	9	94%
Violino I		28	0	10	9	94%
Viola		25	0	8	9	93%
Fagotti		24	0	8	10	91%
Basso		17	0	5	9	89%
Trombone Basso		17	0	5	9	89%
Soprano		21	0	7	7	88%
Alto		19	0	7	8	85%
Trombone Alto		19	0	7	8	85%
Corni di Bassetto		23	0	8	8	83%
Tenore		18	0	6	7	82%
Trombone tenore		18	0	6	7	82%
Trombe in D		4	3	0	6	20%
Timpani in D, A		2	0	0	6	18%

Mozart: Symphony No. 40 in G Minor, K. 550: IV. "Allegro Assai"

Samuel Ricke

9:04	Est. Play Time
312	Measures
	3,861Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		35	13	19	9	94%
Viola.		28	0	15	7	93%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		35	13	19	9	94%
Viola.		28	0	15	7	93%
Violino II.		32	21	15	6	91%
Violoncello.		29	0	15	6	85%
Contrabasso.		27	0	15	6	83%
Fagotti.		30	55	18	6	80%
Oboi.		25	58	16	6	69%
		26	60	17	7	79%
Clarinetti in B.		24	52	9	7	77%
Flauto.		25	0	15	6	69%
Corno in B.		8	0	0	6	48%
Corno in G.		7	0	0	4	40%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Sinfonia

Samuel Ricke

1:28	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	20	6	5	96%
		19	0	5	6	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	20	6	5	96%
		19	0	5	6	100%
Continuo.		16	0	4	5	100%
Viola I.		11	0	2	4	100%
Viola II.		14	0	4	5	100%
Violino I.		16	0	4	7	100%
Violino II.		12	0	3	5	100%
Violone.		16	0	4	5	100%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		17	1	4	5	97%
		25	0	7	5	100%
Continuo.		24	1	7	5	100%
Fagotti.		24	1	7	5	100%
Tenore.		15	0	3	5	100%
Viola.		15	0	3	5	100%
Alto.		12	0	2	4	98%
Flauto traverso II. Oboe II.		11	0	2	5	98%
Oboe II.		11	0	2	5	98%
Violino II.		12	0	2	5	98%
Flauto traverso I. Oboe I.		14	0	3	4	93%
Oboe I.		14	0	3	4	93%
Soprano.		14	0	3	4	93%
Violino I.		14	0	3	4	93%
Violone.		22	0	7	5	93%
Basso.		19	0	6	4	91%
Tromba I.		9	0	1	5	43%
Tromba II.		9	0	1	5	30%
Timpani.		2	0	0	5	22%
Tromba III.		11	0	1	6	22%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		26	58	10	8	96%
		29	0	10	6	100%
View all 16 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.		26	58	10	8	96%
		29	0	10	6	100%
Continuo.		29	0	10	6	100%
Viola I.		18	0	7	7	98%
Viola II.		17	0	6	7	98%
Violino I.		23	0	9	6	98%
Violino II.		20	0	6	7	98%
Violone.		28	0	9	6	97%
Alto.		18	0	7	7	96%
Trombone I.		18	0	7	7	96%
Tenore.		17	0	6	7	95%
Trombone II.		17	0	6	7	95%
Basso.		23	0	9	6	90%
Trombone III.		23	0	9	6	89%
Cornetto.		16	0	6	6	65%
Soprano.		16	0	6	5	65%

Mozart: Symphony No. 39 in E♭ Major, K. 543: IV. Finale "Allegro"

Samuel Ricke

8:06	Est. Play Time
266	Measures
	3,616Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		33	5	16	7	99%
Violino II.		31	19	13	5	96%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.		33	5	16	7	99%
Violino II.		31	19	13	5	96%
Violoncello.		27	0	10	4	82%
Fagotti.		33	52	16	5	81%
Viola.		27	19	12	5	78%
Clarinetti in B.		24	48	7	5	77%
Basso.		27	0	10	4	76%
Flauto.		25	0	11	5	73%
Corni in Es.		13	20	3	5	71%
Trombe in Es.		7	8	0	5	50%
Timpani in Es.B.		2	0	0	4	42%

Mozart: Symphony No. 39 in E♭ Major, K. 543: I. "Adagio - Allegro"

Samuel Ricke

13:27	Est. Play Time
309	Measures
	4,497Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		28	0	11	7	94%
Violino I.		33	23	13	9	92%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso.		28	0	11	7	94%
Violino I.		33	23	13	9	92%
Violoncello.		28	0	11	7	92%
Violino II.		33	29	13	9	88%
Viola.		30	27	11	8	86%
Clarinetti in B.		28	72	10	9	77%
Fagotti.		27	51	9	8	73%
Flauto.		26	0	10	9	68%
Corni in Es.		10	16	0	9	68%
Trombe in Es.		9	14	0	8	58%
Timpani in Es. B.		2	0	0	7	41%

J.S. Bach: Mass in B Minor, BWV 232: II. Christe eleison

Samuel Ricke

4:51	Est. Play Time
85	Measures
	1,259Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		25	0	10	5	100%
Violino I.II.		27	0	10	3	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.		25	0	10	5	100%
Violino I.II.		27	0	10	3	100%
Violone.		25	0	10	5	100%
Soprano II.		17	0	5	8	65%
Soprano I.		16	0	5	7	64%

*GOOD SOUNTFONT* Beethoven: Symphony No. 9 in D Minor, Op. 125 I. Allegro ma non troppo, un poco maestoso

Samuel Ricke

31:30	Est. Play Time
547	Measures
	12,688Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		34	9	19	10	92%
Violino II.		34	52	17	10	91%
View all 13 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.		34	9	19	10	92%
Violino II.		34	52	17	10	91%
Violino I.		37	22	20	10	88%
Viola.		30	48	16	10	88%
Oboi.		27	64	12	10	84%
Fagotti.		35	57	17	10	84%
Basso		32	0	16	10	83%
Clarinetti in B.		36	85	17	10	82%
Corni in D.		14	22	4	9	80%
Flauti.		31	41	12	10	80%
Corni in B basso.		16	17	3	10	65%
Trombe in D.		12	6	2	9	59%
Timpani in D.A.		2	0	0	8	58%

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